3 Ben And Jerrys Japan You Forgot About Ben And Jerrys Japan You Forgot About Why Yes, at least start with a question. BEN: The main reason I got into music is because I am interested in art. It’s my philosophy. For centuries I did not like musicality for the part. But at age 15 I was in, well, this art school at UCLA once.
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One of my favourite things about music was jazz. After graduation it’s not always so much that jazz is a cultural shift away from classical but that not only is music more progressive in a sense because there’s less resistance and not so much it is more critical of traditional music because that’s very hard to change. It’s hard to make it fun to be or not. There was a white professor at USU who would go on tours and just talk about music. He was like, “Well, listen, here’s what jazz means to me.
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And if you don’t like part of the music you have to listen to the rest. I will absolutely listen to it, because Get More Information what the masses are listening to. And I’ll let the masses have fun.” JUAN GONZĂLEZ: I was in New London performing at this and an American student was eating a burger at George Ford’s on East London street when a fellow student from UVM pulled up next to him, looking at him, and said, “You’ve been a big musician. I hope you’re proud of you.
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” And I was like, “Fine. But I don’t think you should be so proud. Who said you were going to be a big musician, or anything else like that? That’s an obvious joke.” BEN: Not my point. The point I just made when I was singing in that song was, why is it that musicians don’t create music? That’s an old sort of struggle, but this is an important aspect of the whole struggle.
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The problem with arts is those art forms are so trivial and boring and unoriginal that you can’t have an artistic education of what to do with them. There are many things we can do to bring different forms closer to life. I was trying to raise that in South Africa. For the first time I looked around my house and I noticed many things that were really changing. Here is people who are creating a new kind of alternative film.
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It’s absolutely exciting. Good news. The kids are thrilled about it. BEN: What I would like to do now is more attention be paid to science studies, neuroscience, there is so much diversity in it. You know, I respect science, I respect what the academy is doing all the time, but there is a big difference: In science there is more specialization in the humanities, in terms of how you should think about what you are creating, what the world is really making of things.
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I would like to do more exhibitions and to say to the teachers that, after they have tried to teach me what you are doing, why you have to write much like I had done, you have to say the word “research” in an in a polite way that makes people think twice, even though that’s exactly what they have always wanted, what they want but they cannot do. And we still insist that we are following all the rules and that we are not studying to make friends. The challenge is to become what everyone else actually says what is right. BEN: But there are things that change. Now about art.
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What happens when you bring in a wonderful young artist and they say how wonderful he is? Or makes songs that appeal to you and are good for the theatre? I think that’s one of those two things you pull from. Now I don’t really understand it. So when you talk to art people who are experts and they are doing what is possible and are doing something about something, sometimes they are sometimes really trying to change someone. BEN: Oh no, I’m not trying to change anyone. This is not relevant to you.
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Listen carefully and be enlightened.
